- Abbr. Title:
- ISAR J Arts Humanit Soc Sci
- ISSN(Online):
- 2583-9691
- Publisher:
- ISAR Publisher
- Chief Editor:
- Prof. Asoc. Jonida Bushi (Gjuzi)
- Country of origin:
- India
- Language:
- English
- Frequency:
- Monthly
- Format:
- Online
- Journal starting year:
- 2023
Cancellation / Refund Policy
The Cancellation/Refund Policy of the journal is designed to address various scenarios and maintain fairness while considering the financial and administrative processes involved in manuscript handling. Here are the key points of the policy:
- Article Processing Charges (APCs): Authors agree to pay APCs upon submission. Once an article is accepted for publication, these charges become due.
- Withdrawal within 7 Days: Authors have the prerogative to withdraw their submitted article within 7 days of initial submission without incurring any charges.
- Refund for Non-Review Stage: A full refund is provided if the paper does not reach the reviewing stage or if it is not accepted for publication.
- No Refund after Publication: Once a paper is published, no refunds or cancellations are possible. This is due to the nature of the service provided and the costs incurred in the publication process.
- No Refund for Withdrawals: Authors do not receive refunds or cancellations of debts if they voluntarily withdraw their paper from consideration or decline to revise and resubmit it.
- No Refund for Copyright Infringement Claims: Refunds or cancellations are not available if a paper is removed due to copyright infringement claims.
- Refund Process: Refunds are processed through the online mode within 20-30 working days.
- Wrong or Extra Deposits: If an author mistakenly deposits the wrong amount or extra money, it will be returned within 03 weeks if the author informs the journal within 02 days of the deposit.
- Cancellation After Two Working Days: If an author withdraws their paper or declines to revise and resubmit it after two working days, refunds or cancellations are strictly governed by the policy.
- No Refund after Publication Decision: After the final submission or publication decision, fees are non-refundable based on the Terms and Conditions accepted during the author declaration form.
This policy balances the author's rights to make decisions about their submissions with the practical considerations involved in manuscript processing and publication. It provides clear guidelines for when refunds are applicable and when they are not, ensuring transparency and fairness in the process.
Locke's Essay Concerning Human Understanding treats words as outward marks of inner ideas. That position seems to imply that language is private. Wittgenstein's private language argument in the Philosophical Investigations challenges the implication at its root. This paper looks at the tension inside Locke's theory of meaning and at Cook's reading of Wittgenstein, with recent scholarship in view. Locke's ideational theory faces a structural conflict. It holds that thought is unknowable, and it also holds that words express ideas. Wittgenstein's treatment of private language is better understood as a grammatical investigation than as a single argument. Its aim is to dissolve the temptation to treat sensations as private objects. Ying Li's recent work (2024) shows that Locke is not the private-language theorist he is often taken to be: the meaning of words is settled by public use. Recent research tends to read the private language argument as a grammatical therapy for the urge to privatize thought, not as an empirical thesis about language.
The private language problem has long held a central place in the philosophy of language. It does so in part because two difficult questions meet there: what role sensations play in meaning, and what it is to follow a rule. Locke's Essay Concerning Human Understanding already contains a tacit argument for the privacy of language. Wittgenstein, in the Philosophical Investigations, turns that argument into a series of thought experiments whose method is grammatical rather than demonstrative. This paper sets aside the attempt at another comprehensive reading. It asks two narrower questions. Can the meaning of sensation words rest on private objects? Is a private rule possible once public criteria of correctness are removed? Ayer, Cook, and Kripke give different answers. Drawing on recent scholarship, we argue that Wittgenstein's work is closer to therapy than to refutation, and that Kripke's rule-skepticism, while philosophically powerful, marks a hermeneutic shift. The most important step in the argument, on this reading, is the treatment of privacy claims as meaningless grammatical propositions.
Catholic religious music plays an important role in Christian worship and spiritual formation in Rwanda, where biblical faith is expressed through local languages, cultural values, and musical traditions. This study, entitled From Biblical Psalms to Catholic Religious Songs: Exploring the Role of Catholic Religious Music in Christian Spiritual Growth in Rwanda, examines the relationship between the biblical Psalms and Catholic religious songs and their contribution to Christian spiritual growth. The study asks: How does Catholic religious music contribute to prayer, faith formation, personal conversion, Christian identity, and participation in communal worship? It hypothesizes that Catholic religious music enhances Christian spiritual growth when its biblical and theological content is faithfully expressed through culturally meaningful forms. The objective is to examine this relationship and assess the role of Catholic religious music in Christian formation and evangelization. A descriptive mixed-methods design was employed among 70 undergraduate students of the Faculty of Theology at the Catholic University of Rwanda (CUR). Data were collected through structured questionnaires and analyzed using descriptive statistics and thematic analysis. Findings indicate that 95.7% of respondents viewed religious music as an aid to prayer, 94.3% associated it with spiritual growth, 92.9% emphasized biblical foundations, 91.4% perceived it as effective for faith formation, and 90.0% reported increased participation in communal worship. The study concludes that Catholic religious music is a valuable instrument of Christian formation and evangelization.
This research shows practical classroom strategies offered by teachers for English teaching within secondary settings of education in Pietermaritzburg, South Africa. The research utilized a qualitative method. Exclude the implementation of different language laws; teachers frequently encounter instructional hurdles when assisting comprehensive language acquisition among multilingual students. To investigate these dynamics, the research involved 30 participants who answered semi-structured interview questions, which provided insights into these dynamics. The research involved 30 participants who answered semi-structured interview questions, providing insights into daily pedagogical sessions, interactive instructional skills, and curriculum delivery mechanisms. The taken data is made using NVivo software to systematically organize the transcripts of qualitative data, recognise recurring conceptual patterns, and manufacture robust thematic codes. The information shows the critical requirement for situation-responsive pedagogical frameworks, aimed literacy assist systems, and enhanced instructional engagement to optimize language results. This research leads to actionable insights for refining classroom methodologies and elevating overall educational levels in linguistically diverse places, offering a comprehensive start for the coming curriculum improvement and professional education practice across similar educational landscapes.
This study examines how Japanese literature was made readable and circulable in Maoist China through paratextual framing. Drawing on publication notes, prefaces, translators’ afterwords, editors’ notes, critical commentaries, circulation labels, and materials from the translated literature journal Zhaiyi, it argues that paratexts were not peripheral additions to translated works, but a central mechanism through which foreign literature was interpreted and managed. The analysis shows that these paratexts worked through repeatable routines of classification, warning, circulation control, and attribution. They classified authors and works before reading, warned against politically inappropriate interpretations, limited readership through internal circulation, and weakened individual translator identity through collective, pen-name, or absent attribution. In the case of Japanese literature, paratexts also produced a manageable image of Japan by narrating Japanese society as a site of capitalist crisis, framing literary value through a worker-peasant-soldier subject position, and arranging cultural knowledge through lists and columns. The article shows that translation during the Cultural Revolution was a language-ideological and cultural-political practice, through which foreign texts were turned into controlled objects of knowledge within a supervised system of publication and reading.
